Chords for Sam Fischer - One Long Day in LA... Movie Magic in This City
Tempo:
73.85 bpm
Chords used:
B
F#
E
G#m
C#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#m] This is cool.
[C#] This is [N] very cool.
Makes you like LA a little bit.
Here we go.
[G] Ready and [F#] playback.
[C#m]
[B] [F#] [E] [B] [A#] I've been seeing lonely [B] people in crowded [F#] [C#m] rooms.
[B] We're [D#] in a [E] creepy hotel room on set in my music video for this season.
[F#] It's all about [C#m] small [B] screens and cigarettes.
[F#m] The concept [G#m] is really me [C] and my life.
[F#] And [B] what I went through to get to the low point of writing a song [F#] like The [E] City.
[B] This [G#m] is rock star [D#m] Kimberly.
She is director [E] extraordinaire.
Came [B] up with the whole thing for The City.
When I [G#] read the lyrics it just, you know, spoke to [B] my heart.
I felt [C#m] the same way.
I moved to a city that I [B] felt lost in.
It is [G#] absolutely special.
It's an honor to work with you.
It's an honor to work with you.
Women are the [G#m] future and they run the world.
None of us would be [F#] here without them.
[E] The [B] [G#m]
[F#] [E] entire cast is [B] incredible.
The dancers are amazing.
[E] Your boy is going to be [F#] dancing.
They're going to lift me up.
[E] Bless him.
[B] Your boy is going to [A#] fly.
[B] And I remember nights when I didn't feel [D#] like [G#m]
[F#] one.
Movie magic.
[C#m] Hi, [B] I'm Monica Felice Smith.
I put together the movement for Santino.
The vision was basically the [G#] idea that [B] The City is sort of [G#] against him.
[F#] They're going to love him and then they're going to throw him [E] aside.
Then I get [B] hugged.
I get hugged.
I get one hug.
Before I get beaten [F#] again.
Just enough to keep [E] you safe.
[B] That's it though.
That's [G#m] it though.
One hug.
Just [F#] enough to keep me in The City.
[E] Just to keep hanging on.
[C#m] It's [B] the one yes you get in [E] the plethora of no's [F#] that keeps you going.
[E] [B] Taking a [G#m] rest?
The [F#] hotel with my beds.
[E] [B] How does it feel to have [G#m] cameras on you all day long?
[F#] I love it.
Getting [E] an in-depth look at every [B] pore.
This doesn't have pores.
[G#] There's no [G] pores.
There are no pores.
There's no pores.
[B] Wasn't born with pores.
[C#m] [F#]
[G#m] [D#m] [C#m] [F#]
[G#m] I [E] [B] [G#m]
[F#] think [E] [B] in a way you make your own [G#m] luck.
I think luck is [F#] timing meets [E] preparation meets opportunity.
[B] And look, the real dark part about the whole thing is it [F#] happens for some, it doesn't happen for others.
[C#m] For a long [B] time I didn't think it was going to happen.
[G] So now being in this [G#m] position, being older, having gone [F#] through being [E] signed, being [A#] dropped.
You [B] know so much.
It [E] becomes routine.
And then you hear a [F#] yes and it's the best thing in the world.
[E] And you put [G#m] hard work and good energy into the universe and you get it back.
[F#] [E] [B] [G#m]
[F#] Just [E] always gonna break your [B] heart.
[G#m]
[C#] This is [N] very cool.
Makes you like LA a little bit.
Here we go.
[G] Ready and [F#] playback.
[C#m]
[B] [F#] [E] [B] [A#] I've been seeing lonely [B] people in crowded [F#] [C#m] rooms.
[B] We're [D#] in a [E] creepy hotel room on set in my music video for this season.
[F#] It's all about [C#m] small [B] screens and cigarettes.
[F#m] The concept [G#m] is really me [C] and my life.
[F#] And [B] what I went through to get to the low point of writing a song [F#] like The [E] City.
[B] This [G#m] is rock star [D#m] Kimberly.
She is director [E] extraordinaire.
Came [B] up with the whole thing for The City.
When I [G#] read the lyrics it just, you know, spoke to [B] my heart.
I felt [C#m] the same way.
I moved to a city that I [B] felt lost in.
It is [G#] absolutely special.
It's an honor to work with you.
It's an honor to work with you.
Women are the [G#m] future and they run the world.
None of us would be [F#] here without them.
[E] The [B] [G#m]
[F#] [E] entire cast is [B] incredible.
The dancers are amazing.
[E] Your boy is going to be [F#] dancing.
They're going to lift me up.
[E] Bless him.
[B] Your boy is going to [A#] fly.
[B] And I remember nights when I didn't feel [D#] like [G#m]
[F#] one.
Movie magic.
[C#m] Hi, [B] I'm Monica Felice Smith.
I put together the movement for Santino.
The vision was basically the [G#] idea that [B] The City is sort of [G#] against him.
[F#] They're going to love him and then they're going to throw him [E] aside.
Then I get [B] hugged.
I get hugged.
I get one hug.
Before I get beaten [F#] again.
Just enough to keep [E] you safe.
[B] That's it though.
That's [G#m] it though.
One hug.
Just [F#] enough to keep me in The City.
[E] Just to keep hanging on.
[C#m] It's [B] the one yes you get in [E] the plethora of no's [F#] that keeps you going.
[E] [B] Taking a [G#m] rest?
The [F#] hotel with my beds.
[E] [B] How does it feel to have [G#m] cameras on you all day long?
[F#] I love it.
Getting [E] an in-depth look at every [B] pore.
This doesn't have pores.
[G#] There's no [G] pores.
There are no pores.
There's no pores.
[B] Wasn't born with pores.
[C#m] [F#]
[G#m] [D#m] [C#m] [F#]
[G#m] I [E] [B] [G#m]
[F#] think [E] [B] in a way you make your own [G#m] luck.
I think luck is [F#] timing meets [E] preparation meets opportunity.
[B] And look, the real dark part about the whole thing is it [F#] happens for some, it doesn't happen for others.
[C#m] For a long [B] time I didn't think it was going to happen.
[G] So now being in this [G#m] position, being older, having gone [F#] through being [E] signed, being [A#] dropped.
You [B] know so much.
It [E] becomes routine.
And then you hear a [F#] yes and it's the best thing in the world.
[E] And you put [G#m] hard work and good energy into the universe and you get it back.
[F#] [E] [B] [G#m]
[F#] Just [E] always gonna break your [B] heart.
[G#m]
Key:
B
F#
E
G#m
C#m
B
F#
E
[C#m] _ This is cool.
_ [C#] This is [N] very cool.
Makes you like LA a little bit.
Here we go.
[G] Ready and [F#] playback.
[C#m] _
[B] _ _ [F#] _ [E] _ [B] _ [A#] I've been seeing lonely [B] people in crowded [F#] [C#m] rooms.
[B] We're [D#] in a [E] creepy hotel room on set in my music video for this season.
[F#] It's all about [C#m] small [B] screens and cigarettes.
[F#m] The concept [G#m] is really me [C] and my life.
[F#] And [B] what I went through to get to the low point of writing a song [F#] like The [E] City. _
[B] This [G#m] is rock star [D#m] Kimberly.
She is director [E] extraordinaire.
Came [B] up with the whole thing for The City.
When I [G#] read the lyrics it just, you know, spoke to [B] my heart.
I felt [C#m] the same way.
I moved to a city that I [B] felt lost in.
It is [G#] absolutely special.
It's an honor to work with you.
It's an honor to work with you.
Women are the [G#m] future and they run the world.
None of us would be [F#] here without them.
[E] The _ [B] _ _ _ [G#m] _
[F#] _ _ [E] entire cast is [B] incredible.
The dancers are amazing.
[E] Your boy is going to be [F#] dancing.
They're going to lift me up.
[E] Bless him.
[B] Your boy is going to [A#] fly.
[B] And I remember nights when I didn't feel [D#] like [G#m]
[F#] one.
Movie magic.
[C#m] Hi, [B] I'm Monica Felice Smith.
I put together the movement for Santino.
The vision was basically the [G#] idea that [B] The City is sort of [G#] against him.
[F#] They're going to love him and then they're going to throw him [E] aside.
Then I get [B] hugged.
I get hugged.
I get one hug.
Before I get beaten [F#] again.
Just enough to keep [E] you safe.
[B] That's it though.
That's [G#m] it though.
One hug.
Just [F#] enough to keep me in The City.
[E] Just to keep hanging on.
[C#m] It's [B] the one yes you get in [E] the plethora of no's [F#] that keeps you going.
[E] _ _ [B] Taking a [G#m] rest?
The [F#] hotel with my beds.
[E] _ [B] How does it feel to have [G#m] cameras on you all day long?
[F#] I love it.
Getting [E] an in-depth look at every [B] pore.
This doesn't have pores.
[G#] There's no [G] pores.
There are no pores.
There's no pores.
[B] Wasn't born with pores.
[C#m] _ _ [F#] _ _
[G#m] _ _ _ [D#m] _ [C#m] _ _ [F#] _ _
[G#m] I [E] _ _ [B] _ [G#m] _ _ _
[F#] think [E] _ [B] in a way you make your own [G#m] luck.
I think luck is [F#] timing meets [E] preparation meets opportunity.
[B] And look, the real dark part about the whole thing is it [F#] happens for some, it doesn't happen for others.
[C#m] For a long [B] time I didn't think it was going to happen.
[G] So now being in this [G#m] position, being older, having gone [F#] through being [E] signed, being [A#] dropped.
You [B] know so much.
It [E] becomes routine.
And then you hear a [F#] yes and it's the best thing in the world.
[E] And you put [G#m] hard work and good energy into the universe and you get it back.
[F#] _ _ [E] _ _ [B] _ _ [G#m] _ _
[F#] Just [E] always gonna break your [B] heart.
[G#m] _ _
_ [C#] This is [N] very cool.
Makes you like LA a little bit.
Here we go.
[G] Ready and [F#] playback.
[C#m] _
[B] _ _ [F#] _ [E] _ [B] _ [A#] I've been seeing lonely [B] people in crowded [F#] [C#m] rooms.
[B] We're [D#] in a [E] creepy hotel room on set in my music video for this season.
[F#] It's all about [C#m] small [B] screens and cigarettes.
[F#m] The concept [G#m] is really me [C] and my life.
[F#] And [B] what I went through to get to the low point of writing a song [F#] like The [E] City. _
[B] This [G#m] is rock star [D#m] Kimberly.
She is director [E] extraordinaire.
Came [B] up with the whole thing for The City.
When I [G#] read the lyrics it just, you know, spoke to [B] my heart.
I felt [C#m] the same way.
I moved to a city that I [B] felt lost in.
It is [G#] absolutely special.
It's an honor to work with you.
It's an honor to work with you.
Women are the [G#m] future and they run the world.
None of us would be [F#] here without them.
[E] The _ [B] _ _ _ [G#m] _
[F#] _ _ [E] entire cast is [B] incredible.
The dancers are amazing.
[E] Your boy is going to be [F#] dancing.
They're going to lift me up.
[E] Bless him.
[B] Your boy is going to [A#] fly.
[B] And I remember nights when I didn't feel [D#] like [G#m]
[F#] one.
Movie magic.
[C#m] Hi, [B] I'm Monica Felice Smith.
I put together the movement for Santino.
The vision was basically the [G#] idea that [B] The City is sort of [G#] against him.
[F#] They're going to love him and then they're going to throw him [E] aside.
Then I get [B] hugged.
I get hugged.
I get one hug.
Before I get beaten [F#] again.
Just enough to keep [E] you safe.
[B] That's it though.
That's [G#m] it though.
One hug.
Just [F#] enough to keep me in The City.
[E] Just to keep hanging on.
[C#m] It's [B] the one yes you get in [E] the plethora of no's [F#] that keeps you going.
[E] _ _ [B] Taking a [G#m] rest?
The [F#] hotel with my beds.
[E] _ [B] How does it feel to have [G#m] cameras on you all day long?
[F#] I love it.
Getting [E] an in-depth look at every [B] pore.
This doesn't have pores.
[G#] There's no [G] pores.
There are no pores.
There's no pores.
[B] Wasn't born with pores.
[C#m] _ _ [F#] _ _
[G#m] _ _ _ [D#m] _ [C#m] _ _ [F#] _ _
[G#m] I [E] _ _ [B] _ [G#m] _ _ _
[F#] think [E] _ [B] in a way you make your own [G#m] luck.
I think luck is [F#] timing meets [E] preparation meets opportunity.
[B] And look, the real dark part about the whole thing is it [F#] happens for some, it doesn't happen for others.
[C#m] For a long [B] time I didn't think it was going to happen.
[G] So now being in this [G#m] position, being older, having gone [F#] through being [E] signed, being [A#] dropped.
You [B] know so much.
It [E] becomes routine.
And then you hear a [F#] yes and it's the best thing in the world.
[E] And you put [G#m] hard work and good energy into the universe and you get it back.
[F#] _ _ [E] _ _ [B] _ _ [G#m] _ _
[F#] Just [E] always gonna break your [B] heart.
[G#m] _ _